Copyright © 2023 John Edward Hall
Today is Sunday 5th February 2023.
Time is 23:04 CT.
XJ Corps, Chicago.
Description.
The constellation (or equivalent large list of objects) is used as basis for song composition; every ideal (heavenly object or item in list) is cross-transfered to a musical equation based on the shape of the being; for instance, DRACO is a "Dragon"/"Snake": it has a HEAD or begining to the song, SCALES are repeated separate instances, a MOUTH, slithering TRAVEL that is possible instance of UNIQUE MOVEMENT, and a TAIL that symbolizes the end of the song; the TAIL can wane out like a diminuendo or it can wip-lash like an end ascent;
There are 88 constellations that can be assembled into song formats with maximum properties of 50 to 300 signs of the object; These constellations are used with TONE, or the mood for the song direction, for instance if the song is a happy uplifting and serious song, it could use constellations SHIELD, COMPASS, LITTLE DOG, and EAGLE. Telling a 'musical synopsis', each object is fit into the song compostion regarding the correct order to express the story; As above, so below, the ORDER of 'CELLESTIAL RINGS' is to be repeated through the song order in the album, and also somehow within each song itself at a smaller level.
The Name of Album decides the Content or Vice-Versa.
The name of the album is NOT named at whim; it is calculated based on the musical constellar code or the opposite: a name is pre-chosen and the genre effect follows.
-John.
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